It has come to my attention that I have a very dedicated reader of my blog! Yay! I thought I was just rambling into cyberspace, but today a friend sent me an email requesting another post-- apparently I have been slacking. Although I wasn't really planning on kicking this into gear until school starts, my blog follower/fan/real-life-friend has left me blushing. So, I'm back!
As a I lie in my backyard tanning and drinking a margarita (I'm actually not that cliche-- so ignore the marg comment), I would like to talk about two artsy experiences that thoroughly impressed me recently, both filmically and musically (did I just make up the word filmically? Note to self-- add to Urban Dictionary).
A few nights ago, a couple of friends came over for some good sober fun. You might be wondering, "Wait, huhhh? Whaaat bro, does that, like, exist, bro?" It does-- it's called Movie Night. My father, aka Mr. Film Freak Extraordinaire has set up a little home theater in our very own living room. Per Dad's request, we picked up a film he has not stopped raving about: "After The Wedding." And let me just start off by saying, Wow.
The film, which debuted in the US in 2007, is a drama set in Denmark. It follows a middle-aged man named Jacob who manages an orphanage in India. When the orphanage faces financial problems, he travels to Denmark where a big corporation has offered to help with a substantial donation. Jacob meets the company honcho, Jorgen, who although initially agreed to help, is now saying he needs more time to think about it. Jorgen tries to reassure Jacob of his financial commitment and befriends him, asking Jacob to come to his daughter's, Anna's, wedding.
Jacob reluctantly accepts, but it is at the wedding where he runs into someone from his past, Jorgen's wife, Helene. And then it is after the wedding when things start unraveling and unraveling and unraveling. It doesn't stop.The themes are powerful-- ranging from love, to betrayal, to sadness, to happiness. Because the themes are so universal, it is hard not to become completely engrossed in the character's thoughts, actions, and emotions. As viewers we understand these characters-- we grieve for them and feel for them.
Writer/Director Susan Bier does a fantastic job exploring the conceptual paradox between family and privacy. She shows how each character faces tough situations the best way that they can-- in the end, all of them try coping with these situations in their own unique way in order to save the ones they love, even if they are forced to lie or betray their way to this resolution. We soon realize that it is the truth that saves them all.
The movie is excellent. Although some of the stylistic choices seem disconnected, even unnecessary (Bier's focus on eyes and gestures), overall the acting is great. There are two beautiful moments-- one in which Helene discovers a tragic reality about Jorgen and another in which Jorgen confronts this reality. Both moments are so sad yet filled with impeccable authenticity.
Hopefully, this review has convinced you. But if my persuasive powers are weak, then maybe you will like the fact that it was an Oscar nominee in '07 (it lost to "The Lives of Others" -- another MUST SEE).
For your enjoyment, the trailer
And "The Lives of Others" trailer
OK, now onto the other artsy experience that impressed me-- Incubus. I'll keep this "short," I know my movie review was a lil long.
Anyways, you might be thinking, Wait, Incubus still exists? Yup-- I saw them last night in concert. I have been to many concerts, and although we were stuck with last minute lawn seats, I still was thoroughly amazed by this concert. Incubus delivered a KICK ASS show. Not only is Brandon Boyd incredibly sexy (those abs? are they real?), but the vocals were pretty much flawless-- they sounded just like recorded tracks. Actually, the vocals were better live.

They started the show with Pardon Me. And believe me, that song never gets old. Everyone was freaking out, roaring their way through the sing along, just absolutely loving it. They played classics like Nice To Know You, Stellar, Drive, Wish You Were Here, and ended with (wait for it....) Aqueous Transmission. While swaying with my friends and holding up my cell phone as a makeshift lighter, I couldn't help but feel nostalgic. I think every Incubus fan has some sort of connection with this song whether they have heard it sober or wasted or buzzed off something. Gotta love the frogs. Oh yeah, and Are You In? encore-- heck yes.
They also played a lot of newer stuff from Light Grenades, They raged through Anna Molly & A Kiss To Send Us Off, Dig was (uh-duh) great, Quicksand was super trippy, and of course everyone screa
med slash cried slash made out to Love Hurts.My faves of the set were Megalomaniac and Oil and Water and Talk Shows On Mute and... can I just say EVERYTHING?
Other pluses: 1) He took his shirt off (did I mention his abs?) 2) He brought out some bongos 3) They were selling jumbos beers AND arepas (Gracias Mee-a-mee!) 4) Second encore: a Prince cover.
P.S. A very good friend of mine, the wonderfully hip Ms. Sarah Turner, will be joining this blog and adding her artistic two cents!

